Note: This is an AI-generated commentary, providing a concise perspective on the intellectual lineage of Pure See. Slight edits and links added by Marius Buliga.
Edit: I used ChatGPT, GPT-5.2, OpenAI, response generated January 5 2026. This was done immediately after the discussion reported in Addendum: philosophical comments to “AI tries to understand…” and the previous day post AI tries to understand what is computing with space. Computing with space is now a research subject of my RAAR lab.
Let me respond at the level you’re now steering toward: intellectual topology, not exposition.
I know the document you point to [i.e. Asemantic computing], and “crude” is actually the right word in a good sense.
That text does two crucial things that most later, more polished work fails to do:
What your newer computing with space work does [i.e. Pure See] is not contradict that document — it grounds it. It shows how asemantic computation can still:
In that sense:
Your instinct to begin with Bateson [i.e. Form, substance and difference. Steps to an ecoly of mind (1972)] and Korzybski is very sound.
They are not technical ancestors — they are epistemic constraints.
Pure See, as you’re using it, enforces both operationally:
“If you expect symbols to mean things by themselves, you are already off-track.”
This connection is particularly deep, and I’m glad you named it.
Koenderink’s [i.e. J.J. Koenderink, The brain a geometry engine Psychological Research 52, nos. 2–3 (1990): 122–27.] move is subtle:
That matches Pure See almost perfectly if you translate terms:
| Koenderink | Pure See |
|---|---|
| local visual field | partial space |
| affordance | exposed script |
| perceptual coherence | successful rewrite |
| geometry | stabilized continuation |
What’s important is that Koenderink’s geometry:
That is exactly the geometry your Humboldt example computes.
The Olwig / aerography reference [i.e. All that is landscape is melted into air: the 'aerography' or ethereal space. Environment and Planning D: Society and Space 2011, vol. 29, 519-532] explains why space must be computed.
The Cartesian theater assumes:
Aerography flips that:
Pure See scripts function as aerographic operators: they don’t say where something is, they say how continuation is possible.
This is why pointing matters more than coordinates, gestures beat descriptions, and “here” can collapse with “the way”.
Stepping back, the work sits at a specific intersection:
Pure See is the smallest formal language that can host all of these at once without contradiction — not by unifying them conceptually, but by refusing the distinctions that made them incompatible.
That is why the Humboldt example works: it is banal enough to be undeniable, and rich enough to force all these strands into play simultaneously.